Admittedly a continuing work-in-progress, I nonetheless felt that—with the publication of the recent issue of Rouge 12 and its attendant theme on archives—I could share my index with readers of The Evening Class. Though Rouge provides a table of contents for each specific issue, my studies required a more general index, which I've structured primarily to auteurist ends though now and then I've gone topical. This is a completely idiosyncratic organization catering to my own interests and approaches. I haven't included the image issue as of yet (and am not confident I will) and there is still much cross-referentiality to accomplish; but, for now, here's what I've got. I hope it helps others with their research.Aboriginal Art / Culture & Film
Aboriginal Art and Film: The Politics of Representation—Marcia Langton; 6 (2005)
Beyond Assimilation: Aboriginality, Media History and Public Memory—Meaghan Morris; 3 (2004)
Chantal Akerman
La Chambre Akerman: The Captive as Creator—Ivone Margulies; 10 (2007)
Fatih Akin
Six Characters in Search of the Other: The Edge of Heaven—Yvette Bíró; 12 (2008)
Eddie Albert
The Unquiet American: Eddie Albert—Donald Phelps; 9 (2006)
Robert Altman
Tanner Redux: "Think Brave! Shoot Brave!! Be Brave!!!"—Jean-Pierre Coursodon; 12 (2008)
Mercedes Álvarez
El cielo gira—Miguel Marías; 6 (2005)
"An Affair to Remember"
The Gate of Heaven, The Place of the Other: An Affair to Remember—Carlos Losilla; 7 (2005)
Michelangelo Antonioni
Michelangelo and I—Enrica Antonioni; 4 (2004)
Lo Sguardo di Michelangelo: The Gaze of Antonioni—Jonathan Rosenbaum; 4 (2004)
Arab Cinema (Miscellaneous)
History of Our Present (1): New Arab Film and Video—Jayce Salloum; 1 (2003)
Architecture and Cinema
Los Toquis, or Urban Babel—Nataša Durovicová; 7 (2005)
An Architectural Promenade [Singing in the Rain]—Alain Masson; 7 (2005)
Humbert Balsan
Humbert Balsan 1954-2005—Dave Kehr; 6 (2005)
Raymond Bellour
The Film We Accompany—Raymond Bellour; 3 (2004)
Ingmar Bergman
Saraband: Bergman's Ship Sails On—Yvette Bíró; 6 (2005)
Brazilian Cinema (Miscellaneous)
Cinema: Music of Light—Jairo Ferreira; 9 (2006)
Stan Brakhage
Serious Mothlight: For Stan Brakhage (1933-2003)—Nicole Brenez & Adrian Martin; 1 (2003)
Tod Browning
Freaks Show—Thierry Kuntzel; 7 (2005)
Luis Buñuel
Buñuel Bows Out—Paul Hammond; 3 (2004)
John Cassavettes
Shops of Horror: Notes for a Visual History of the Reification of Emotion in a Capitalist Regime, or (to put it more bluntly) "Fuck the Money"—Nicole Brenez; 11 (2007)
Chinese Bookie: After Cassavetes—James Clayden; 11 (2007)
Nick Cave
From The Proposition—Nick Cave; 7 (2005)
Pierre Clémenti
There's Nothing More International Than a Pack of Pimps: A Conversation between Pierre Clémenti, Miklos Janscó, Glauber Rocha and Jean-Marie Straub convened by Simon Hartog in Rome, February 1970—3 (2004)
Pedro Costa
A Closed Door That Leaves Us Guessing—Pedro Costa; 10 (2007)
Adventure: An Essay on Pedro Costa—Shigehiko Hasumi; 10 (2007)
Serge Daney
Montage Obligatory: The War, the Gulf and the Small Screen—Serge Daney; 8 (2006)
Gilles Deleuze
The Green Garbage Bins of Gilles Deleuze—Luc Moullet; 6 (2005)
Poubelle, ma belle—William D. Routt; 6 (2005)
Manoel de Oliveira
On the Uncertain Nature of Cinema (By Way of the Work of Manoel de Oliveira)—Víctor Erice; 4 (2004)
Stanley Donen
An Architectural Promenade: Singin' in the Rain—Alain Masson; 7 (2005)
Raymond Durgnat
"Culture Always is a Fog": Interview With Raymond Durgnat—Rick Thompson, et al.; 8 (2006)
Letter to Jean-Pierre—Raymond Durgnat; 8 (2006)
Red Psalm—Raymond Durgnat; 8 (2006)
DVD
A Fish in the Aquarium—Thierry Jousse; 9 (2006)
Stephen Dwoskin
Reflections: The Self, the World and Others, and How All These Things Melt Together in Film—Stephen Dwoskin; 3 (2004)
Víctor Erice
Erice-Kiarostami: The Pathways of Creation—Alain Bergala; 9 (2006)
Writing Cinema, Thinking Cinema ...—Víctor Erice; 4 (2004)
On the Uncertain Nature of Cinema (By Way of the Work of Manoel de Oliveira)—Víctor Erice; 4 (2004)
Risks and Revelations: Erice-Kiarostami—Miguel Marías; 9 (2006)
Sergei M. Eisenstein
Eisenstein, the Glass House and the Spherical Book: From the Comedy of the Eye to a Drama of Enlightenment—Oksana Bulgakowa; 7 (2005)
Of Mice and Men: Reflections on Eisenstein and Digital Imagery—Paul Willemen; 8 (2006)
Manny Farber
The Farber Machine—Patrick Amos & Jean-Pierre Gorin; 12 (2008)
Seers for the Sleepless—Manny Farber; 12 (2008)
The Qualities I Like: Impressions of Manny Farber—Adrian Martin; 12 (2008)
Critic Going Everywhere—Donald Phelps; 12 (2008)
My Budd by Manny Farber—Bill Krohn; 12 (2008)
Thinking About (Personal) History Lessons: The Movie Paintings of Manny Farber—Jonathan Rosenbaum; 12 (2008)
Harun Farocki
Harun Farocki's Images of the World—Christopher Pavsek; 12 (2008)
Alexei Fedorchenko
First on the Moon: The Totalitarian Echo in New Russian Cinema—Julia Vassilieva; 12 (2008)
Abel Ferrara
Come Into My Sleep: Body Snatchers—Nicole Brenez; 7 (2005)
John Ford
The Searchers: Dismantled—Ross Gibson; 7 (2005)
John Ford, or The Eloquence of Gesture—Shigehiko Hasumi; 7 (2005)
Ford's Depth—Miguel Marías; 7 (2005)
"The Doddering Relics of a Lost Cause": John Ford's The Sun Shines Bright—Jonathan Rosenbaum; 7 (2005)
Péter Forgács
"It's Just a Waste of Time to Walk and Play Tennis": Interview with Péter Forgács—André Habib; 12 (2008)
William Friedkin
Friedkin Out—Bill Krohn; 3 (2004)
French Cinema (Miscellaneous)
For Danièle Huillet (1936-2006) and Jean-Marie Straub (1933-)—Miguel Marías; 10 (2007)
"1750 Percussion Rifles": Work of the Document, Rights and Duties of Cinema—Nicole Brenez & Michael Witt; 9 (2006)
Samuel Fuller
Fuller By Two [I Shot Jesse James / Park Row]—Donald Phelps; 8 (2006)
Philippe Garrel
Philippe Garrel's L'Enfant secret (1982)—Serge Daney; 1 (2003)
German Cinema (Miscellaneous)
Antigone Agonistes: Urban Guerrilla or Guerrilla Urbanism? The Red Army Fraction, Germany in Autumn and Death Game—Thomas Elsaesser; 4 (2004)
Downfall: Almost the Same Old Story—Klaus Neumann; 6 (2005)
Come On, Baby, Be My Tiger: Inventing India on the German Screen in Der Tiger von Eschnapur and Das indische Grabmal—Meenakshi Shedde and Vinzenz Hediger, 7 (2005)
Ritwik Ghatak
Her Mother's Son: Kinship and History in Ritwik Ghatak—Moinak Biswas; 3 (2004)
Ritwik Ghatak: Reinventing the Cinema—Jonathan Rosenbaum; 10 (2007)
Jean-Luc Godard
According to JLG—Dominique Païni; 9 (2006)
Le rouge (1968): A Painting by Gérard Fromanger—Gérard Fromanger; 1 (2003)
Philippe Grandrieux
The Body's Night: An Interview with Philippe Grandrieux—Nicole Brenez; 1 (2003)
"Grbavica"
Plain, Pain: Grbavica—Yvette Bíró; 10 (2007)
José Luis Guerín
Work in Progress—José Luis Guerin; 4 (2004)
In Sylvia's City—Miguel Marías; 11 (2007)
Simon Hartog
There's Nothing More International Than a Pack of Pimps: A Conversation between Pierre Clémenti, Miklós Janscó, Glauber Rocha and Jean-Marie Straub convened by Simon Hartog in Rome, February 1970—3 (2004)
Vinzenz Hediger
Politique des archives: European Cinema and the Invention of Tradition in the Digital Age—Vinzenz Hediger; 12 (2008)
Alfred Hitchcock
Desire Roped In: Notes on the Fetishism of the Long Take in Rope—Jean-Pierre Coursodon; 4 (2004)
When I Made The Paradine Case—Alfred Hitchcock & Mark Rappaport; 4 (2004)
In and Around The Paradine Case: Control, Confession and the Claims of Marriage—Douglas Pye; 4 (2004)
Hou Hsiao-hsien
Café Lumière—Shigehiko Hasumi; 6 (2005)
In Search of New Genres and Directions for Asian Cinema—Hou Hsiao-hsien; 1 (2003)
John Hughes
The Director as Psychoanalyst: An Interview with Jacques Rivette—John Hughes; 4 (2004)
Autodialogue (1978)—John Hughes; 4 (2004)
John Hughes On (and With) Jacques Rivette: Introduction—Jonathan Rosenbaum; 4 (2004)
"I'll Be Your Eyes, You'll Be Mine"
I'll Be Your Eyes, You'll Be Mine—Keja Kramer and Stephen Dwoskin; 9 (2006)
Shohei Imamura
Shohei Imamura: The Insect's Game—Jairo Ferreira; 9 (2006)
Guillermo Cabrera Infante
A Scattered Homage to Guillermo Cabrera Infante (1929-2005)—Victor Fowler Calzada; 7 (2005)
Iranian Cinema (Miscellaneous)
Ebrahim Golestan: Treasure of Pre-Revolutionary Iranian Cinema—Mehrnaz Saeed-Vafa; 11 (2007)
"The Ister"
The Ister: An Excerpt, From Novi Sad to Vukovar—David Barison and Daniel Ross; 3 (2004)
Miklós Jancsó
There's Nothing More International Than a Pack of Pimps: A Conversation between Pierre Clémenti, Miklós Janscó, Glauber Rocha and Jean-Marie Straub convened by Simon Hartog in Rome, February 1970—3 (2004)
Red Psalm—Raymond Durgnat; 8 (2006)
Kent Jones
Can Movies Think?—Kent Jones; 12 (2008)
Abbas Kiarostami
Erice-Kiarostami: The Pathways of Creation—Alain Bergala; 9 (2006)
Risks and Revelations: Erice-Kiarostami—Miguel Marías; 9 (2006)
"King Kong"
Magnificent Animal—Adrian Martin; 8 (2006)
Robert Kramer
Robert Kramer and the Jewish-German Question—Hironobu Baba; 9 (2006)
Letter to Bob Dylan—Robert Kramer & Bobby Buechler; 4 (2004)
Robert Kramer Films the Event—Adrian Martin; 9 (2006)
Carole Landis
Homage to Carole Landis—Donald Phelps; 11 (2007)
Fritz Lang
Machinations of an Incoherent, Malevolent Universe: Fritz Lang's Spione—Adrian Martin; 7 (2005)
Mitchell Leisen
Mitchell Leisen—Mark Rappaport; 12 (2008)
Val Lewton
Fear Itself: Val Lewton's The Ghost Ship—Donald Phelps; 8 (2006)
David Lynch
The Author is on Fire—Yvette Bíró; 11 (2007)
Terrence Malick
Things to Look Into: Terrence Malick—Adrian Martin; 10 (2007)
E.J. Marey
The Marey Project: A Work in Progress—James Clayden; 4 (2004)
Chris Marker
Markeriana: A Scarcely Critical Description of the Work of Chris Marker—Roger Tailleur; 11 (2007)
Jonas Mekas
"I'm an Outsider. I'm a Monk. I'm Somewhere Else": Interview with Jonas Mekas—Stefan Grissemann; 12 (2008)
Tsai Ming-Liang
The 400 Blow Jobs: The Wayward Cloud—Helen Bandis, Adrian Martin, & Grant McDonald; 7 (2005)
Perhaps the Flood ...—Yvette Biro; 1 (2003)
Minimalism
The Fullness of Minimalism—Yvette Bíró; 9 (2006)
Miscellaneous
How Violence Made a Real Mother-of-a-Mother of Me—Kathleen Mary Fallon; 6 (2005)
Moments of Choice—V.F. Perkins; 9 (2006)
Ukiyo-e/Hollywood—Penny Webb; 7 (2005)
The Zoom in Popular Cinema: A Question of Performance—Paul Willemen
Robert Montgomery
The Rich Boy: The Reticent Artistry of Robert Montgomery—Donald Phelps; 1 (2003)
Michael Moore
The Rhetoric of Fahrenheit 9/11—Gilberto Perez; 12 (2008)
Luc Moullet
Gags, Nonsense, Seeing, Imagination: Luc Moullet and Parpaillon's Pataphysical Theatre—Fabien Boully; 6 (2005)
The Green Garbage Bins of Gilles Deleuze—Luc Moullet; 6 (2005)
Poubelle, ma belle—William D. Routt; 6 (2005)
Guido Mutis
Dear Guido ...—Juan Pablo Miranda; 12 (2008)
Mikio Naruse
Kimiko in New York—Kiyoaki Okubo; 10 (2007)
"Night Cries: A Rural Tragedy"
Beyond Assimilation: Aboriginality, Media History and Public Memory—Meaghan Morris; 3 (2004)
Nyinkka Nyunyu
The Bush TVs of Nyinkka Nyunyu—Alison Alder; 6 (2005)
Yasujirô Ozu
Ozu's Angry Women—Shigehiko Hasumi; 4 (2004)
Maurice Pialat
Maurice Pialat: A Cinema of Surrender—Fergus Daly; 1 (2003)
Roman Polanski
Double Chinatown—Ross Macleay; 11 (2007)
Elvis Presley
Elvis Presley, Last New York Concert—Jonas Mekas; 6 (2005)
Jacques Rancière
A Thwarted Fable—Jacques Rancière; 8 (2006)
Carol Reed
Wrong Geometries in The Third Man—Richard Misek; 7 (2005)
Edgar Reitz
Heimat 3: Signing Off On The German Century—Roger Hillman; 6 (2005)
Alain Resnais
Marcel in Marienbad—Mark Rappaport; 1 (2003)
Jacques Rivette
The Director as Psychoanalyst: An Interview with Jacques Rivette—John Hughes; 4 (2004)
Autodialogue (1978)—John Hughes; 4 (2004)
John Hughes On (and With) Jacques Rivette: Introduction—Jonathan Rosenbaum; 4 (2004)
Glauber Rocha
There's Nothing More International Than a Pack of Pimps: A Conversation between Pierre Clémenti, Miklós Janscó, Glauber Rocha and Jean-Marie Straub convened by Simon Hartog in Rome, February 1970—3 (2004)
George Romero
Land of the Dead—Tony Williams; 7 (2005)
Marie-Claire Ropars
A Cinematic Language—Marie-Claire Ropars; 11 (2007)
Reading with Marie-Claire—Tom Conley; 11 (2007)
On Filmic Rewriting: Contamination of the Arts or Destruction of Art's Identity?—Marie-Claire Ropars; 11 (2007)
Jean Rouch
Jean Rouch 1917-2004: A Valediction—Michael Eaton; 3 (2004)
A Tribute to Jean Rouch—Paul Stoller; 3 (2004)
Raúl Ruiz
The Expropriation (La Expropriacíon, Chile, 1971)—Barthélemy Amengual; 2 (2004)
Time Regained (Le Temps retrouvé, France, 1999)—Cyril Béghin; 2 (2004)
Treasure Island (L'île au trésor, France, 1986, released 1991)—Cyril Béghin; 2 (2004)
Le Vertige de la page blanche (Vertigo of the Blank Page, Belgium, 2003)—Marie-Luce Bonfanti; 2 (2004)
La Querelle de jardins (Quarrel of Gardens, short, France, 1982)—Christine Buci-Glucksmann; 2 (2004)
Le Borgne (The One-Eyed Man, 4 episodes, France, 1980)—Christine Buci-Glucksmann; 2 (2004)
Les Divisions de la nature: Un homme, un château, "Chambord" (The Divisions of Nature: A Man, a Castle, "Chambord", short, France, 1978)—Christine Buci-Glucksmann; 2 (2004)
Dans un miroir (In a Mirror, short feature, France, 1984)—Ian Christie; 2 (2004)
The Penal Colony (La Colonia Penal, Chile, 1970)—Ian Christie; 2 (2004)
The Real Presence (La Présence réelle, France, 1983)—Ian Christie; 2 (2004)
Los Tres Tristes Tigres (Three Sad Tigers, Chile, 1968)—Ian Christie; 2 (2004)
Bérénice (France, 1983)—Olivier Curchod; 2 (2004)
Manoel on the Island of Marvels (3 part TV series, France, 1985)—Fergus Daly; 2 (2004)
Wind Water (aka Feng Shui, short, UK, 1996)—Fergus Daly; 2 (2004)
The Hypothesis of the Stolen Painting (L'Hypothese du tableau volé, France, 1978)—Thomas Elsaesser; 2 (2004)
That Day (Ce jour-là, France, 2003)—Filipe Furtado; 2 (2004)
City of Pirates (La Ville des pirates, France/Portugal, 1983)—Paul Hammond; 2 (2004)
Genealogies of a Crime (Génealogies d’un crime, France, 1997)—Maximilian Le Cain; 2 (2004)
A TV Dante (UK, 1989)—Adrian Martin; 2 (2004)
Dark at Noon or Eyes and Lies (L'œil qui ment, France, 1992)—Adrian Martin; 2 (2004)
Great Events and Ordinary People (Des grands événements et des gens ordinaires: Les Élections, short feature, France, 1979)—Adrian Martin; 2 (2004)
A Place Among the Living (aka A Taste for Murder, Une place parmi les vivants, France/Rumania, 2003)—Adrian Martin; 2 (2004)
Responso: Homage to Huub Baals (video, work-in-progress, 2004)—Adrian Martin; 2 (2004)
The Territory (Portugal/USA, 1981)—Adrian Martin; 2 (2004)
Three Lives and Only One Death (Trois vies et une seule mort, France, 1996)—Adrian Martin; 2 (2004)
Ruiz and the Devils: La recta provincial—Gonzalo Maza; 11 (2007)
Mirror of Tunisia/Tunisia, the Trance and the Stone (Miroir de Tunis/Tunis, la transe et la Pierre, Tunisia/France, 1993)—Abdelwahab Meddeb; 2 (2004)
Miotte vu par Ruiz (Miotte by Ruiz, France, 2001)—Jean Miotte; 2 (2004)
The Blind Owl (La Chouette Aveugle, France/Switzerland, 1987)—Luc Moullet; 2 (2004)
Dialogue of Exiles (Diálogo de exilados, France 1974)—Zuzana Mirjam Pick; 2 (2004)
Three Crowns of the Sailor (Les Trois couronnes du matelot, France, 1982)—Bérénice Reynaud; 2 (2004)
Dogs' Dialogue (Colloque de chiens, short, France, 1977)—Jonathan Rosenbaum; 2 (2004)
Mammame (France, 1985)—Jonathan Rosenbaum; 2 (2004)
The Roof of the Whale aka On Top of the Whale (Hek dak van de Valvis / Le Toit de la baleine, Netherlands/France, 1981)—Jonathan Rosenbaum; 2 (2004)
Snakes and Ladders (Le Jeu de l'Oie: La Cartographie, short, France, 1980)—Jonathan Rosenbaum; 2 (2004)
The Comedy of Shadows (La Comédie des ombres): Fragments of a Screenplay—Raúl Ruiz; 2 (2004)
El Realismo Socialista [Considerádo Commo Una de las Bellas artes] (Socialist Realism [Considered as One of the Fine Arts], Chile, 1973)—Raúl Ruiz; 2 (2004)
The Golden Boat (USA, 1990)—Raúl Ruiz; 2 (2004)
Handbook of French History (Petit manuel d'histoire de France, 2 part TV series, France, 1979)—Raúl Ruiz; 2 (2004)
Palomita Blanca (Little White Dove, Chile, 1973)—Raúl Ruiz; 2 (2004)
Las Soledades (The Solitudes, UK, 1992)—Raúl Ruiz; 2 (2004)
Suspended Vocation (La Vocation suspendue, France, 1977)—Raúl Ruiz; 2 (2004)
Love Torn in Dream (Combat d'amour en songe, France/Portugal/Chile, 2000)—Guy Scarpetta; 2 (2004)
Cofralandes: Chilean Rhapsody (Cofralandes: Rapsodia Chilena, Chile/France, 2002)—Clemente Sobourin; 2 (2004)
Life is a Dream (Mémoire des apparences, France, 1986)—Lesley Stern; 2 (2004)
Letter from a Filmmaker, or The Return of a Library Lover (Lettre d'un cinéaste ou Le Retour d'un amateur de bibliothèques, short, France, 1983)—Charles Tesson; 2 (2004)
Ken Russell
Ken Russell's Portraits of Elgar, Delius and Mahler—Donald Phelps; 8 (2006)
Russian Postmodernism
Life Times 4, or: Postmodernism à la Russe—Julia Vassilieva
Paul Schrader
Pretending that Life has no Meaning: Interview with Paul Schrader—George Kouvaros; 11 (2007)
Jean-Jacques Schuhl
from Ingrid Caven: A Novel—Jean-Jacques Schuhl; 4 (2004)
Louis Skorecki
Louis Louie—Adrian Martin and Guillaume Ollendorff; 10 (2007)
Henri Storck
Subjects and Details Which Have Caused Fear Among Children—Henri Storck; 6 (2005)
Jean-Marie Straub
There's Nothing More International Than a Pack of Pimps: A Conversation between Pierre Clémenti, Miklós Janscó, Glauber Rocha and Jean-Marie Straub convened by Simon Hartog in Rome, February 1970—3 (2004)
Mitch Torres
Whispering In Our Hearts—Adrian Martin; 6 (2005)
Paolo Cherchi Usai
Passio: An Interview With Paolo Cherchi Usai—Grant McDonald; 10 (2007)
Agnès Varda
Agnès Varda's Open Harbour—Yvette Bíró; 9 (2006)
Dziga Vertov
Dziga Vertov: Storyboard—Roland Fischer-Briand; 9 (2006)
Order—Barbara Wurm; 9 (2006)
Entuzijazm: Symfonija Donbasu; Ukranian Film Poster for Enthusiasm—Dziga Vertov; 9 (2006)
Jean Vigo
À propos de Nice and the Extremely Necessary, Permanent Invention of the Cinematic Pamphlet—Nicole Brenez; 7 (2005)
Amos Vogel
The Vogel Call—Nicole Brenez; 3 (2004)
Bill Viola
The Arc of Passions: Bill Viola's New Works—Yvette Bíró; 6 (2005)
Andy Warhol
The '60s Without Compromise: Watching Warhol's Films—Thom Andersen; 8 (2006)
Chelsea Girls—Omar Diop; 8 (2006)
Orson Welles
Wrong Geometries in The Third Man—Richard Misek; 11 (2007)
Peter Whitehead
Peter Whitehead: The Exigency of Joy—Nicole Brenez; 10 (2007)
Billy Wilder
Norma and Delilah [Sunset Boulevard]—Mark Rappaport; 10 (2007)
Shelley Winters
Shelley Winters Top and Bottom—Georgia Lea; 8 (2006)
Alan Wright
Scuppered: Of Fish and Film—Alan Wright; 12 (2008)
Updated: 11/05/08