"Further, the festival is proud to be rechristening its animation jury prize as The Satoshi Kon Award for Achievement in Animation, named after the dear, departed visionary whose feature debut, Perfect Blue, world premiered at Fantasia in 1997 (as did his later Millenium Actress)."
As a tease, here are several key selections from this year's AXIS lineup. Stay tuned for the full lineup to be announced on July 11. Portrait of Satoshi Kon courtesy of Laurent Koffel.
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Keiichi Sato—Over forty years since it came into being, George Akiyama's manga Ashura remains a raw and affecting action-horror-tragedy, and its potency is only further amplified in this new anime. Keiichi Sato, director of Tiger & Bunny and Karas, oversees a masterful blend of digital animation and handcrafted artwork spiked with startling fights and chases and flashes of fearsome beauty. Vivid and intense, Asura is a journey through hell not soon forgotten. Official Selection: Annecy International Animation Film Festival 2012. IMDb. Wikipedia. Canadian Premiere, hosted by Producer Yoshiyuki Ikezawa.
Yeun Sang-ho—Selected at the last Director's Fortnight in Cannes, this masterfully written animated social drama brings elements of thriller and even horror cinema to expose how social inequities can bring extreme consequences, even in middle school. With his intense first feature film, director Yeun Sang-ho has instantly established himself as one of the leading voices of international animation cinema. IMDb. Wikipedia. Canadian Premiere hosted by Writer / Director Yeun Sang-ho.
At Variety, Richard Kuipers states that "Yuen Sang-ho gets his message across with undeniable fury and a good measure of intelligence." At The Hollywood Reporter, Maggie Lee writes: "Ugly, pitiless, and mightily provocative in its representation of human debasement, [Yeun Sang-ho's] satire on class inequality burns like acid." Lee adds: "Technically adept and highly cinematic in its storytelling, the $150,000 production proves that it is still possible to produce quality animation with a modest budget. Sketched in stark, masculine strokes on a somber, dusky color palette, the human figures are made to look distorted and beastlike. It is as if their malice and misery have seeped into their facial features and are refracted as a snarl, a burrowed eyebrow or clenched teeth." At Twitch, Brian Clark adds: "The animation isn't going to win any awards for aesthetic beauty, but it's blunt, less-than-fluid style suits the subject matter perfectly. The medium also allows the film to dabble in some surreal, hallucinogenic imagery that mirrors the characters' psyches. Like the film's style, it's effective in an immediately-visceral way, but at the same time, these scenes are structured and directed in a way to where they play more like sudden jump-scares in a horror movie."
Ignacio Ferreras—There's more than a fair bit of best-animated-film Oscar® buzz beginning to surround this very faithful cinematic adaptation of the graphic novel Arrugas by Spanish comic artist Paco Roca. It is a careful character study of the aged—some of them defiant, some despondent, some adrift far from the shores of lucidity—infused with an abundance of sharp wit, whimsy, honesty and poignancy. WINNER: Best Adapted Screenplay, Best Animated Film, Goya Awards. Official website. IMDb. Wikipedia. Canadian Premiere.
At Variety, Jonathan Holland writes: "Featuring lovable but credible characters and a beautifully crafted, understated plot that emerges elegantly from their fears, fantasies and forgetfulness, this thought-provoking, universally comprehensible item skews naturally towards adult auds, but its animated format could plausibly appeal to a younger demographic." At The Hollywood Reporter, Neil Young considers this "poignant" and "exceptional" animated feature about senior citizens to be "one the year's best Spanish films." He writes that Wrinkles "takes a commendably unsentimental and nuanced approach to a complex subject, one that avoids melodramatic situations and simplistic characterizations while adhering to certain conventions of this particular sub-genre."
Rémi Bezançon & Jean-Christophe Lie—A stunning hand-drawn work of animation detailing the adventures of a young child named Maki and an orphaned giraffe, Zarafa, who go on an epic adventure from the Sudan, where the boy escapes from slave traders, to Alexandria, Marseille and Paris. Official Selection: Berlin Film Festival 2012. Official site [French]. IMDb. Wikipedia. Canadian Premiere.
At Screen, Lisa Nesselson writes: "A visually splendid and emotionally satisfying animated adventure for all ages, Zarafa boasts all the ingredients (at least in an ideal world…) for international success, starting with a terrific fact-inspired story, simply yet beautifully told."