
Twitch teammate Kurt Halfyard characterizes the Special Presentation and Gala sidebars at the Toronto International Film Festival (TIFF) as "code for High Profile films" and today's announcement of the lineup for these sidebars in TIFF's 35th edition confirms his characterization. From Cannes award-winning films such as A Screaming Man—the Chad entry that won the Cannes Jury Prize—and Javier Badem's Best Actor performance in Biutiful, to films that are sure to gain distribution and firm footing in the Oscar® race, let alone accolades at the concurrent Venice International Film Festival, both the Special Presentations and Gala sidebars promise big buzz film. That being said, I rarely watch films from either sidebar, aware that they will achieve distribution and that I'll have the chance to see them elsewhere. The added lure, of course, is the opportunity to interview talent who attend Toronto to promote their projects, so I also never say never. Who wouldn't want to talk to Philip Seymour Hoffman about his first directorial effort Jack Goes Boating? Or revisit conversations with Andrucha Waddington on his biopic of Lope de Vega, Ryan Fleck and Anna Boden on their new comedy (!), or John Cameron Mitchell on what it was like to direct Nicole Kidman? What follows are short synopses provided by the TIFF press office, which I'll supplement as further research allows. Despite a generous announcement of 50 titles at today's press conference, I remind myself that 50 titles is about one sixth of what will become available in what is already sizing up to be a stellar year at TIFF. Be sure to check out updates here, at 1st Thursday, and TOFilmfest. On your mark, get set, go!

Empire offers a MovieCon video interview with Danny Boyle on how to make a one-set film cinematic. At Entertainment Weekly (August 13, 2010; no. 1115, p. 13), Karen Valby relays that—when Boyle first heart of Ralston's story—he started envisioning what he calls "an action movie where the hero can't move." Boyle adds: "The movie is going to be obsessive, and it will be for obsessives. You will want him to cut his arm off by the end." At Rama's Screen, Aron Ralston relays his grueling experience in a video essay. Release date: November 5, 2010.

Facebook synopsis: "Amigo, the 17th feature film from writer-director John Sayles, stars Joel Torre as Rafael Dacanay, a village mayor caught in the murderous cross-fire of the Philippine-American War in 1900. When U.S. troops garrison his village, Rafael comes under pressure to collaborate from the blood-and-guts Colonel Hardacre (Chris Cooper) as he tries not to betray his people, especially his brother Simón (Ronnie Lazaro), head of the local Filipino guerillas. A sympathetic American lieutenant (Garret Dillahunt) learns that "hearts and minds" cannot be won at gunpoint. A devious Spanish friar (Yul Vazquez) thwarts communication with his spiteful intrigues. Rafael is forced to make the near-impossible, potentially deadly decisions faced by civilians in an occupied country. Friendship and betrayal, romance and heart-breaking violence, Amigo is a page torn from the forgotten history of imperialism and a mirror of today's unresolvable conflicts."
Another Year (Mike Leigh, United Kingdom)—A happily married, middle-aged couple are visited by a number of unhappy and lonely friends who use them as confidantes. When an unmarried friend falls for their young son, they watch as events unfold. The film stars Jim Broadbent, Lesley Manville, Ruth Sheen, Peter Wight, Oliver Maltman, David Bradley, Karina Fernandez and Martin Savage. Official website. IMDb. Wikipedia. Facebook. TOFilmFest. North American Premiere.

"Filmmaker Mike Leigh's latest look at middle-class Londoners follows a long-married couple (Jim Broadbent and Ruth Sheen) surrounded by friends in various states of distress. Most notable is a wine-swilling secretary played by Leigh vet Lesley Manville, whose devastating performance received unanimous praise from the international media when the film debuted at Cannes earlier this year."—Entertainment Weekly (#1116/1117, August 20, 27, 2010, p. 89). Opens December 31, 2010.
Beginners (Mike Mills, USA)—When his 71-year-old father (Christopher Plummer) comes out of the closet, Oliver (Ewan McGregor) must explore the honesty of his own relationships. From the director of Thumbsucker. IMDb. TOFilmFest. World Premiere.



Karen Valby reports to Entertainment Weekly (#1116/1117, August 20, 27, 2010, p. 94): "Blue Valentine, the story of a young couple who fall madly in love—and then terribly out of it—over the course of six years, left Sundance in January with a $1 million distribution deal with Focus and fizzy awards buzz for stars Michelle Williams and Ryan Gosling. But making the film was a wrenching 12-year struggle for co-writer/director Derek Cianfrance (Brother Tied), who repeatedly postponed production as various financiers dropped out. Up until a week before the 30-day shoot began in the spring of 2009, the Brooklyn-based filmmaker was paying for preproduction out of his own pocket. ...'One of my inspirations all these years is that Supremes song "Where Did Our Love Go," ' says Cianfrance. 'That question, that yearning, that mystery is what I wanted to build the film around.' " Opens December 31, 2010.
Brighton Rock (Rowan Joffe, United Kingdom)—Based on Graham Greene's 1938 novel, we follow the odd relationship between a young thug on the rise in the British underground and a tea room waitress who witnesses a crime he has committed. Greene's novel was previously adapted as a British noir in 1947 by John Boulting. TOFilmFest synopsizes the film as "the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a religious death wish" and adds that "Joffe wrote the screenplay and shifted the story from Greene's setting in the Thirties to the mods and rockers era of 1964, a time of what Joffe termed 'sexual modernity'. Producer Paul Webster added that the year was also the last in which the death penalty was carried out, which in the film gives Pinkie a sense of fearlessness." IMDb. World Premiere.

Karen Valby reports to Entertainment Weekly (#1116/1117, August 20, 27, 2010, pp. 56-57) that—though "Ryan Reynolds was riveted when he first got the lean, 75-page script for Buried", he "differed with his director on just one point: Cortés wanted a week of rehearsals; Reynolds preferred to just be thrown into the coffin and have the cameras roll—which is what happened. 'Knowing myself,' explains the actor, 'I would have gotten my head too far up my own ass if we'd rehearsed.' " Reynolds adds: "I've never been happier to finish a movie. I will never complain on a film set again. I mean, I'm standing right now in the Green Lantern costume on my 93rd day of shooting this movie. My hardest day on this is nothing compared to my easiest day on Buried." Opens September 24, 2010.
Cirkus Columbia (Danis Tanović, Bosnia and Herzegovina)—From the Oscar®-winning director of No Man's Land and based on the eponymous literary debut of Croatian journalist Ivica Đikić, Tanović adapted Cirkus Colombia to the screen with Đikić's assistance. After 20 years of exile, Divko returns to his hometown in Herzegovina to settle some scores with his ex-wife, armed with a new Mercedes, a sexy new girlfriend and a mangy black cat. TOFilmFest offers video interviews with Tanović and actress Mira Furlan. Variety's Alissa Simon complains about the film's gender stereotypes and "major problems of tone" though she grants that Tanović's fourth feature "succeeds in making clear the incredulity with which most people regarded the thought of war and dissolution of Yugoslavia, as well as the machinations of various opportunistic groups." Simon compliments how cinematographer Walther van de Ende "creates a sense of nostalgia for a vanished world." IMDb. Wikipedia. Facebook. International Premiere.

"Amelia Earhart, suffragette Alice Paul, transgender murder victim Brandon Teena, freedom writer Erin Gruwell: Hilary Swank has a knack for bringing real people to the screen. 'It's definitely a coincidence, but I have noticed it,' says the two-time Oscar® winner of her penchant for biopics. 'I find that when the true stories come across my desk, they tend to be more compelling than the fiction that I get. ...Amelia's long gone and Alice Paul's passed away, but Betty Anne, she's still living on this planet,' says Swank. 'You feel an enormous responsibility to get it right.' "—Entertainment Weekly (#1116/1117, August 20, 27, 2010, p. 68). Opens October 15, 2010.

Dhobi Ghat (Kiran Rao, India)—In the teeming metropolis of Mumbai, four people separated by class and language are drawn together in compelling relationships. Shai, an affluent investment banker on a sabbatical, strikes up an unusual friendship with Munna, a young and beautiful laundry boy with ambitions of being a Bollywood actor, and has a brief dalliance with Arun, a gifted painter (played by Bollywood heartthrob Aamir Khan, real-life husband of director Rao). As they slip away from familiar moorings and drift closer together, the city finds its way into the crevices of their inner worlds. The film's title draws from a well-known washers' area in Mumbai. IMDb. Wikipedia. Facebook. TOFilmFest. World Premiere.

Adam Markovitz reports to Entertainment Weekly (#1116/1117, August 20, 27, 2010, p. 55): "Sharp-tongued dialogue. A high-school-is-hell attitude. A redheaded star. Is it any wonder that bloggers have pinned their hopes on Easy A becoming the next Mean Girls? But for Emma Stone (Zombieland), who stars as a quick-witted teen branded with a bad reputation after lying about losing her virginity, the film's roots go back even further. 'Olive just wants her life to be a John Hughes movie,' says Stone. 'She does everything she can to make it some half-ass version of The Breakfast Club.' " Opens September 17, 2010.

Force of Nature: The David Suzuki Movie (Sturla Gunnarsson, Canada)—At 75 years old, David Suzuki shows no signs of slowing down. In this captivating documentary portrait, the passionate environmentalist's legacy lecture is entwined with candid interviews in which he reflects on his life and shares deeply personal stories, revealing a side previously unseen. TOFilmFest. World Premiere.
Good Neighbors (Jacob Tierney, Canada)—Director Jacob Tierney (The Trotsky) returns with an innovative and unsettling thriller about some very strange people living in the same apartment building in Montreal's Notre-Dame-de-Grâce neighborhood. The film stars Scott Speedman, Emily Hampshire and Jay Baruchel. IMDb. TOFilmFest. World Premiere.



Hereafter (Clint Eastwood, United Kingdom)—The story of three people haunted by mortality in different ways, Hereafter stars Matt Damon as a blue-collar American who has a special connection to the afterlife. On the other side of the world, a French journalist (Cécile de France), has a near-death experience that shakes her reality. And when London schoolboy Marcus (Frankie/George McLaren) loses the person closest to him, he needs answers. Each in search of the truth, their lives will intersect, forever changed by what might—or must—exist in the hereafter. The film also stars Jay Mohr, Bryce Dallas Howard, Marthe Keller, Thierry Neuvic and Derek Jacobi. As David Hudson reports at MUBI, Hereafter will be the closing night film for NYFF. IMDb. Wikipedia. TOFilmFest. World Premiere.

I Saw the Devil (Kim Jee-woon, South Korea)—A hard-boiled thriller from Korean master Kim Jee-woon, I Saw the Devil is a tale of bloody vengeance against a dangerous psychopath who has committed a gruesome series of murders. Offical site [Korean]. IMDb. TOFilmFest. North American Premiere.



Incendies (Denis Villeneuve, Canada)—After their mother Nawal's death, twins Simon and Jeanne embark on a journey to the Middle East that shines a disturbing light on their mother's past and culminates in a shocking revelation. Based on the acclaimed play by Wajdi Mouawad and directed by Genie and Jutra award-winner Denis Villeneuve (Polytechnique). IMDb. Facebook. TOFilmFest. North American Premiere.







At MUBI, Boyd von Hoeij looks forward to Waddington's biopic, which is screening out of competition at Venice. He writes: "Brazilian filmmaker Waddington (House of Sand) shot his Lope, about Spanish Baroque-era writer Lope de Vega, in Spain and in Spanish. Period films and literary pedigree are a recurrent theme in the Venice line-up this year, though this seems to be one of the most interesting titles, especially because Waddington, as a foreigner and non-native Spanish speaker, might bring something interesting to the table here. The star cast includes beauties Sônia Braga and Pilar López de Ayala as two potential lovers of Vega, and Cell 211 breakout star [Alberto] Ammann, in his second starring role, as the author himself. Luis Tosar and Leonor Watling co-star."
According to John Hopewell's early Variety report, the film's original title was 14 and Daniel Bruehl (fluent in Spanish!) was being groomed for the title role. Says Waddington: "The screenplay and subject fascinated me: a young man becoming an artist. Plus, it's set when Spain was the center of the world." IMDb. TOFilmFest. El Séptima Arte has an image gallery, the trailer (in Spanish), and a second gallery that includes a music video of Jorge Drexler's title theme (embedded below). World Premiere.
"Que el soneto nos tome por sorpresa (Lope)'", Jorge Drexler
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Film Catalogue synopsis: "Isabelle works under Christine. They think alike. They are quite different. They might be lovers. But Christine takes credit for Isabelle's brilliant ideas. A struggle ensues between these two attractive and powerful women, the two top executives in the French office of an American multinational. Christine has the upper hand and no mercy. Humiliated and nearly destroyed, Isabelle begins to plot her revenge. Imaginative and thorough, calculating and exact, Isabelle makes an outstanding murderer. Every strange, seemingly haphazard thing she does—including a sudden drug dependence and wandering aimless in the rain—is part of her plan to kill. And get away with it."


The film is scheduled to have its world premiere at the Venice International before arriving in Toronto. Miral's screenplay was written by Rula Jebreal, based on her novel. Freida Pinto (Slumdog Millionaire) plays the title role alongside Hiam Abbass (as Hind al-Husseini, the Palestinian woman who converted her grandfather's mansion into an orphanage to house the rescued and orphaned survivors of the Deir Yassin massacre while advocating education as the path to peace). Supporting turns by Willem Dafoe and Vanessa Redgrave. As reported at TOFilmFest, Harvey Weinstein has stated: "This is the first film I am involved in that shows the 'other side' of the Israel/Palestine conflict. As a staunch supporter of Israel, I thought this would be a movie I would have a hard time wrapping my head around. However, meeting Rula moved me to open my heart and mind, and I hope we can do that with audiences worldwide." IMDb. Wikipedia. North American Premiere.
" 'It's not Baby's Day Out,' jokes Pinto.... Acting in the film 'really changed me as a person.' "—Entertainment Weekly (#1116/1117, August 20, 27, 2010, p. 87). Opens December 3, 2010.
Mothers / Majki (Milčo Mančevski, Macedonia / France / Bulgaria)—A child's friend is accosted by a flasher so she decides to go to the police herself; a film crew sets out to find the old traditions and discovers a grandmother living alone in an abandoned village; retired cleaning women are found raped and strangled in a small town. The innovative structure of Mothers highlights the delicate nature of truth and fiction, of drama and documentary. TOFilmFest. World Premiere.

Missy Schwartz reports to Entertainment Weekly (#1116/1117, August 20, 27, 2010, p. 54): "Four years ago, Carey Mulligan read Kazuo Ishiguro's acclaimed 2005 novel Never Let Me Go and felt like she'd been knocked sideways. 'I just loved it,' she says. 'I remember thinking, "If they ever make a film of this, I have to be in it." ' Luckily for her, Mark Romanek (One Hour Photo) was a big fan of her Oscar®-nominated performance in last year's An Education and cast her in the lead role of Kathy, a restrained woman who narrates the haunting story of British boarding-school students brought up for one mysterious, dark purpose.... A human-scale drama with sci-fi leanings, Never Let Me Go explores how Kathy and her friends (played by Keira Knightley and The Imaginarium of Doctor Parnassus' Andrew Garfield) come to terms with their circumscribed lives." Opens September 15, 2010.


Passione (John Turturro, Italy)—Passione journeys through Napoli, one of the biggest jukeboxes in the world with a treasure chest of songs from the 1200s to present day. Each song conjures distant stories and myths that speak of love, sex, jealousy, crime, poverty, irony, superstition, and social protest. At MUBI, David Hudson reports that Passione will be screening Out of Competition in Venice. IMDb. TOFilmFest. North American Premiere.
Passion Play (Mitch Glazer, USA)—Set in the desert and laced with the deep elements of a modern fable, Passion Play tells the tale of Nate (Mickey Rourke), a down-on-his-luck jazz trumpet player who forms a bond with Lily (Megan Fox), a woman born with wings who has wound up as a carnival sideshow attraction. Together these two damaged souls undertake a turbulent romantic journey while trying to avoid the witty and menacing Happy (Bill Murray), a local gangster. IMDb. Wikipedia. Facebook. TOFilmFest. World Premiere.
The Poll Diaries (Chris Kraus, Germany / Austria / Estonia)—On the eve of World War I, a 14-year-old German girl returns to her home on the Baltic coast, a place uneasily shared by Germans, Russians and Estonians. While her morbid scientist father controls the family with a cruel hand, the passionate young girl secretly nurses a wounded Estonian anarchist back to health—an act of curiosity and then of defiance that could set off an uncontrollable chain reaction. IMDb. TOFilmFest. World Premiere.

Repeaters (Carl Bessai, Canada)—Veteran director Carl Bessai returns with a tense thriller that follows three young addicts in a rehabilitation center. Each day they live the same events over and over—a situation each responds to in radically different ways. IMDb. TOFilmFest. World Premiere.
Rio Sex Comedy (Jonathan Nossiter, France / Brazil)—Rio Sex Comedy charts the misadventures of expatriates in Rio in their search for both personal pleasures and social justice. Charlotte Rampling is an English plastic surgeon determined to subvert anyone from going near the knife. Irène Jacob is a French anthropologist whose political correctness is upstaged by more carnal ambitions. Bill Pullman is a befuddled American ambassador who flees from his responsibilities into one of Rio's most dangerous favelas. There he becomes co-opted by the schemes of Fisher Stevens, favela tour operator and romantic huckster. IMDb. TOFilmFest. World Premiere.

Special Treatment / Sans queue ni tête (Jeanne Labrune, France / Luxembourg /Belgium)—A high-class prostitute and a pre-eminent psychoanalyst discover that they share many things in common. They are both unhappy with their professions, seeking a way out that involves unique contact with each other's worlds. IMDb. TOFilmFest. World Premiere.

Submarine (Richard Ayoade, United Kingdom)—British comic Richard Ayoade delivers his hotly-anticipated feature debut Submarine. One boy must fight to save his mother from the advances of a mystic, and simultaneously lure his eczema-strafed girlfriend into the bedroom, armed with only a vast vocabulary and near-total self-belief. His name is Oliver Tate. IMDb. TOFilmFest. World Premiere.


Trigger (Bruce McDonald, Canada)—Molly Parker and the late Tracy Wright form a highly dysfunctional yet endearing rock duo reuniting a decade after their band called it quits. Directed by Bruce McDonald (Pontypool, The Tracey Fragments, Hard Core Logo, Highway 61), and written by Daniel MacIvor, the film features Sarah Polley, Don McKellar and Callum Keith Rennie. IMDb. TOFilmFest. World Premiere.
The Trip (Michael Winterbottom, United Kingdom)—Follow two good friends in this hilarious road movie as they embark on a tour of the Lake District and the Yorkshire Dales of Northern England, eating, chatting and driving each other crazy. The film stars Steve Coogan and Rob Brydon. At Twitch, Todd Brown has the skinny on why this project—which reunites Winterbottom with Steve Coogan and Rob Brydon (Tristram Shandy: A Cock and Bull Story)—seemingly emerged out of nowhere. TOFilmFest. World Premiere.
Trust (David Schwimmer, USA)—Safe and sound in their suburban home, Will and Lynn Cameron (Clive Owen and Catherine Keener) used to sleep well at night. When their 14-year-old daughter, Annie (Liana Liberato), made a new friend on-line—a 16-year-old boy named Charlie—Will and Lynn didn't think much of it. But when Annie and Charlie make a plan to meet what happens in the next twenty-four hours changes the entire family forever. Charlie is really a 40-year-old serial pedophile (Tom McCarthy) and, once Annie's rape comes to light, it becomes a touchstone event that reverberates through the entire family. TOFilmFest praises: "relative newcomer Liberato's slow-burning self-realization and climactic breakdown is undeniably heartrending." IMDb. World Premiere.
What's Wrong With Virginia (Dustin Lance Black, USA)—Jennifer Connelly stars as Virginia, a charming yet mentally ill mother whose greatest love is her protector and illegitimate son, Emmett (Harrison Gilbertson). Richard Tipton (Ed Harris), the local married Mormon sheriff, who is running for public office, might very well be Emmett's father. Their boardwalk town's peculiar secrets are threatened when Virginia's son begins a romantic relationship with Tipton's daughter (Emma Roberts) sending mother and son on a mad dash to seize their own brand of the American Dream—guns blazing. IMDb. TOFilmFest. World Premiere.

" 'The theme of the movie is "The grass is greener on the other side, until you get there," says Josh Brolin, who plays one of several restless spouses in Woody Allen's London-set dramedy. Brolin is a struggling author who flirts with his new neighbor (Slumdog Millionaire's Freida Pinto) when he's not bickering with his wife (Naomi Watts). The wife has a crush on her boss (Antonio Banderas), while her dad (Anthony Hopkins) shacks up with a call girl (Lucy Punch). The film is Brolin's second with Allen. 'I got this e-mail from Woody that said, "You may remember me from Melinda and Melinda; I was the director. I thought you did a great job in W.," ' says Brolin. 'I framed it. "You may remember me"!' "—Entertainment Weekly; #1116/1117, August 20, 27, 2010, p. 53. Opens September 22, 2010.
Yves Saint Laurent—L'Amour Fou (Pierre Thoretton, France)—Yves Saint Laurent built one of fashion's most celebrated empires. This moving documentary chronicles his rise, his lifelong partnership with Pierre Bergé and their decision to auction off a lifetime of precious art and objects. IMDb. TOFilmFest. World Premiere.