

GhibliWorld.com has faithfully kept track of Miyazaki's West Coast promotional tour for Ponyo, which has included the trip to the UC Berkeley campus, UCLA, and San Diego's Comic-Con. Variety devoted their July 22 issue to contextualizing Miyazaki's career, via the American promotion of Ponyo, specifically at Comic-Con. In her report, Ellen Wolff quoted producer Kathleen Kennedy that one of her shared frustrations with Studio Ghibli is the "conundrum of how to distribute [Miyazaki's] movies in North America in a way that people realize these pictures can appeal to a wide range of audiences and not just be relegated to arthouses." I find this "conundrum"—that despite global acclaim Miyazaki's U.S. record is hit-and-miss—somewhat difficult to imagine. His capacity audiences seem to refute that. Further, as much as I wish Miyazaki the increased marketability he wishes for his films, I've poised concerns about how this is to be effected in the U.S.
The Variety coverage also included Erin Maxwell's dispatch from Comic-Con's Pixar/Disney panel, where Pixar's John Lasseter and Japanese animator Hayao Miyazaki were honored with Inkpot Awards for "great contributions to pop culture."

On behalf of Twitch, Doug Jones has compiled a condensed reaction to Miyazaki's various Southern California appearances and—as mentioned earlier—my transcript of Miyazaki's onstage conversation with Roland Kelts can be found here.
Illustration of Hayao Miyazaki courtesy of Marla Campbell, Variety. Cross-published on Twitch.