
Ksander synopsized that six-seven years ago Acker made his short film while a student in UCLA's three-year animation program. That's when Ksander met Acker after being impressed with his short reel and offered his services. Four years later Shane Acker completed his short film, winning a student Academy Award® as well as being nominated for an Academy Award®. Acker showed his short at ComicCon, SIGGRAPH, and Sundance and—based on those screenings—the short caught the attention of Jim Lemley, who had been working with Timur Bekmambetov on Wanted. He pulled a team together to make a presentation to Tim Burton who agreed the short was exciting and worthy of turning into a feature-length version.

Wood detailed that the project had been brought to his attention along with the short film and—though he found the script exciting enough—all he really needed to come on board was to see Acker's short. He immediately wanted to be part of Acker's unique vision. Ksander confirmed that the short has proved immensely helpful because it has such a distinct look and feel—"dark and unusual especially for animation"—and if they had tried to just pitch the idea, it might have proved difficult; whereas, since Acker had a finished product to show of what the film would look and feel like, it generated excitement all the way down the line, not just with the casting but when they were organizing the animation crew, several who migrated from other large studios specifically to work on this project.

A young boy asked Wood what it felt like to bring the character 9 to life? Wood replied that 9 comes into the post-apocalyptic world seen in the film a little late; ragdolls 1-8 have already been created and 1 moreorless rules over the others in the sense of protecting them from the machines. Without any knowledge of the others or the machines, 9 comes completely innocent into this world, which earmarks a certain courage and questioning spirit. He brings these qualities to the others who have stopped questioning and looking for answers and who have sequestered themselves. Thus, 9 is not hindered by the fears of the others and arrives open and searching.


Asked how voice acting differed from physical acting, Wood admitted there are pros and cons either way; but, for him, voice acting harbors a certain flexibility, not the least of which is the freedom of not needing a physical cast or accommodating conflicting schedules. The down side of that is, of course, working solo with headphones, sometimes even without the voices of the other actors, which makes it more challenging not having someone to bounce off of. An actor can't rely on body and face and must imbue his voice with motion to fulfill action sequences.

Cross-published on Twitch.