59th San Francisco International Film Festival (SFIFF59) is finally set to kick off Thursday night. Bay Area cinephiles are going to be crazy-busy for the next 15 days. Thus far I've surveyed the programs that were announced prior to the festival's March 29 press conference, as well as taken in-depth looks at the extensive line-up of French and Asian cinema on offer. This final piece of pre-fest coverage spotlights some of the remaining awards programs and special events that will no doubt help make this festival one for the books.
State of Cinema Address—I couldn't be more pleased with the festival's choice of Wesley Morris for this year's SOC Address. The current NY Times critic-at-large has been one of my favorite film writers since his days at the San Francisco Chronicle and Examiner. His early-aughts departure from the Bay Area launched a productive decade at The Boston Globe, where he won a Pulitzer Prize for Criticism in 2012. One of my most cherished Morris reviews is his hilarious Cannes write-up of Lars von Trier's Antichrist, titled "Charlotte, don't." Here's a sampling: "I don't think I breathed for the last half. My seatmate and I took turns grabbing each other—out of shock, out of stress, out of disbelief. At some point, I found myself reaching around the edges of my chair. I was looking for a seatbelt." Morris will deliver the State of Cinema address at the Victoria Theatre on Saturday, April 30 and is expected to speak on "the radicalization of Sidney Poitier and how it parallels the current climate of race in the movies."
Peter J. Owens Award—The festival held off until three days before SFIFF59's start date before announcing the recipient of its annual acting award—talk about good things coming to those who wait! None other than Ellen Burstyn will receive this year's Peter J. Owens Award at the Victoria Theatre on Saturday, April 23. At "An Afternoon with Ellen Burstyn", the star of stage, screen and TV will discuss her career before introducing a screening of Darren Aronofsky's 2000 shock masterpiece Requiem for a Dream, for which Burstyn was robbed of a second Oscar® by Julia Roberts in Erin Brockovich. The 83-year-old actress can currently be seen in the fifth season of Netflix' hit series House of Cards. She also has a co-starring role in Todd Solondz' new film Wiener-Dog, which plays SFIFF59 as well.
Contemporary Color—For one night the festival expands from the hip Mission District to the even hipper Hayes Valley neighborhood for a free outdoor screening of Contemporary Color. This new documentary from Turner Ross and Bill Ross IV documents the mega-spectacular event spearheaded by David Byrne in which championship color guard teams performed elaborate routines to music performed live by Nelly Furtado, St. Vincent, Money Mark + Ad-Rock, Tune-Yards and others. Reservations are recommended for this free screening that takes place on Friday, April 29 at Proxy, "a temporary two-block project that mobilizes a flexible environment of food, art, culture, and retail within renovated shipping containers." The exact address is 432 Octavia Street. To get an idea of what this film's about, check out David Byrne's mission statement on the Contemporary Color website, or the plethora of amateur YouTube videos shot at the actual Contemporary Colors events last summer (such as this amazing one from Tune-Yards). The filmmaking Ross Brothers, who won the Golden Gate Award for Best Documentary Feature at last year's festival for Western, are expected to attend this very special screening.
Kanbar Award—Ellen Burstyn won't be the only Oscar® winner on hand at this year's festival. SFIFF59's Kanbar Storytelling Award will go to Tom McCarthy, the actor-writer-director who took home filmdom's biggest honor for Spotlight's Best Original Screenplay (a film he also happened to direct). "An Evening with Tom McCarthy" takes place at Berkeley's fabulous new Pacific Film Archive on Tuesday, April 26 and will feature an on-stage conversation conducted by SF Film Society Executive Director Noah Cowan. There will also be a screening of McCarthy's 2003 screenwriting and directorial debut The Station Agent, which won Sundance's Audience Award and introduced much of the world to the talents Bobby Cannavale, Patricia Clarkson and especially, Game of Thrones star Peter Dinklage. According to the Film on Film Foundation's Bay Area calendar, The Station Agent will be one of two SFIFF59 screenings in 35mm.
VR Day—The only thing I know about VR is that it stands for Virtual Reality. That's something I hope to change on Saturday, April 30 when SFIFF59 presents VR Day, "a pilot program designed to showcase emergent storytellers in virtual reality filmmaking." In order to participate, you buy a ticket for a time slot between 11 a.m. and 7 p.m. which entitles the bearer to a 60-minute using Samsung Gear. That same ticket also allows one to attend several VR artist panels and experience Oculus Rift, Google Cardboard, Nokia and other Samsung VR tools on a walk-in basis. Featured VR films and stories will include Special Delivery from Aardman Animations co-founder Peter Lord and Seeking Pluto's Frigid Heart, which "creates a stereoscopic virtual reality experience that will bring viewers to Pluto." All of this takes place at Gray Area, a non-profit "supporting art and technology for social good" located in the former Grand Theatre on Mission Street, just down the block from Alamo Drafthouse's New Mission Theatre.
Aliens on April 26, 2016. Both the Castro Theatre and PFA will host screenings of the classic 1955 UK noir thriller Cast a Dark Shadow, in a brand new digital 2K restoration. The film stars Dirk Bogarde as a sociopathic homme fatale looking to bump off his second wife and is directed by Lewis Gilbert, who would make a star of Michael Caine in Alfie as well as direct three James Bond flicks. Finally on May 1 at the Castro Theatre, there'll be a 20th anniversary presentation of Cheryl Dunye's New Queer Cinema breakthrough, The Watermelon Woman, which is recognized as the first feature film directed by a Black lesbian. Following the screening, Dunye will take part in an on-stage conversation with SF State Assistant Professor of Sexuality Studies, Darius Bost.
Cross-published on film-415.