The Evening Class

In a remarkable reversal of perspective, Chuyen Bui Thac’s Tunnels: Sun In the Dark (2025) honors and celebrates the Vietnamese resistance...

Christianity, particularly in its Roman Catholic expression, is well-known to be rife with potential horror, ranging from Rosemary’s Baby t...

With the Third Wave of announcements of films screening at the 30th edition of the Fantasia International Film Festival , Fantasia adds thir...

The International Premiere of Larry Fessenden's final chapter of his “monsterverse” quadrilogy Trauma Or, Monsters All (2026) brings t...

Along with the nine World Premieres announced in early May with their First Wave titles, the Fantasia International Film Festival added eig...

“Evil wants out” is the official tagline for Daniel Stamm’s Lockbox (2026) , but it could also be “no good deed goes unpunished” which Elle...

In this troubled world of political upheaval and environmental decline is there anything as ameliorative as a World Premiere at one of the m...

No, I had no idea that poet Mary Oliver was a lesbian.  Yet one of the many strong values of Frameline is how over the years it has allowed ...

It is a common queer experience to leave home at a young age to lead an authentic life elsewhere, and at some juncture—for one reason or ano...

Anthony Hurd ’s paintings immediately came to mind while watching Efraín Mojica and Rebecca Zweig’s compelling documentary Jaripeo (2026) ,...

Sometimes in the process of interviewing the directors of a film, they become your friends. Sometimes those newly found friends then go on ...