The Evening Class

"Cinema is the evening class for discriminating adults."--Ousmane Sembene

Thursday, January 01, 2026

THROWBACK THURSDAY / NOIR CITY 14 (2016): Humoresque (1946)—Eddie Muller’s Introduction

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I first saw Humoresque (1946) projected large at the Castro Theatre at the 14th edition of Noir City (2016) and never got around to transc...
Friday, December 05, 2025

THE LIBRARIANS (2025)—REVIEW

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It was sometime in the 1990s that I first became aware of the Koch Brothers’ involvement in local school board races, often electing candida...
Monday, October 27, 2025

BLUE MOON (2025)—REVIEW

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Blue moon, I saw you standing alone  Without a dream in your heart  Without a love of your own.   What an apt description for legendary lyri...
Sunday, October 19, 2025

SCREAMFEST 2025—PITFALL (2025): REVIEW

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“Into the woods, and out of the woods, and home before dark….” —Stephen Sondheim, “Into the Woods” (1986).  If only it were as easy as in a ...
Friday, October 17, 2025

SCREAMFEST 2025: INTERNATIONAL (AUSTRALIA)—SHED (2025): REVIEW

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Aligned with the subgenre of horror films associated with the Christmas holiday, an innocent game of hide-and-seek between siblings on Chris...
Sunday, October 12, 2025

SCREAMFEST 2025: INTERNATIONAL (ARGENTINA)—THE DOLLMAKER (ENCANTADOR, 2025)

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In its North American premiere at Screamfest 2025, Argentine director José María Cicala’s Encantador ( The Dollmaker ) has everything anyo...
Saturday, October 11, 2025

ORWELL: 2+2=5 (2025)—REVIEW

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“When you are on a sinking ship, your thoughts will be about sinking ships,” wrote George Orwell about totalitarianism in the 1940s; a state...

SCREAMFEST 2025: AFFECTION (2025): REVIEW

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The World Premiere of BT Meza’s debut feature Affection (2025) served as the opening night film for this year’s edition of Screamfest, cov...

SCREAMFEST 2025: INTERNATIONAL (MEXICO)—A FISHERMAN’S TALE (UN CUENTO DE PESCADORES, 2024): REVIEW

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For its U.S. premiere at Screamfest, Edgar Nito’s A Fisherman’s Tale ( Un Cuento de Pescadores , 2024 ) offers a slow burn narrative intro...
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