The Evening Class

Hungry (2026) , written and directed by James Nunn, is an entertaining and novel twist on the animal attack genre. Great white sharks I’m ...

The psyche, in considering itself, is architectural and both irreal and surreal in how it configures spatiality, let alone remembers it. Th...

Being “on the lam” originates from late 19th-century criminal slang. By the 1880s, American pickpockets used the word as a slang verb to me...

LED’s choreocinematic project Ruin (2022) , directed by Aidan Brezonick and written and choreographed by Lauren Edson, insinuates presence ...

Tony Carnell & Angel Abaya.  Photo:  © Steve Smith The partnership of dance with film elevated the movie camera from mere equipment capt...

The symbiotic relationship between dance and film—both governed by aesthetics of movement—is near familial, like an older sister taking a yo...

Willem Dafoe and Greta Lee in Late Fame (2025) I have long found the film capsule to be one of the oddest short form film “review” formats...

On Saturday, May 9, 2026, Berkeley’s Boise Art Museum and Pacific Film Archive (BAMPFA) wraps up this year’s edition of the African Film Fes...

Fantaspoa’s regional premiere of Matheus Marchetti’s “erotic thriller” Labyrinth of Lost Boys (2025) suggests that a horror specific to ga...

Fantaspoa’s slate of 88 feature-length films include tiers of premieres, boasting 11 regional, 12 national, (an impressive) 38 Latin America...

In their 22nd edition, Fantaspoa —situated in Porto Alegre, Brazil since 2005—rightfully claims their stature as Latin America’s largest fil...

Photo: © Michelle Bliss In Wong Kar-wai’s 1994 film Chungking Express , Cop 223 (He Zhiwu), played by Takeshi Kaneshiro...