The Evening Class

Positioned as an International Premiere at London’s Frightfest 26 , Erik Bloomquist’s Self-Help  (2025) yokes the horror genre to a thought...

As a World Premiere at Frightfest 26, the UK-based international horror, fantasy, and thriller film festival held in London’s Leicester Squa...

Some years back I befriended a deaf mute named Mike. Our friendship was revelatory in that he exposed me to the various technologies within...

The “Galapagos Affair”, as it came to be known over the years, has captured the imaginations of writers and filmmakers for decades, from the...

Originally published by Fandor in April 2014, the release of Ron Howard’s Eden (2025) calls for another look at the conversation I had wi...

The Fantasia International Film Festival (“Fantasia”) World Premiere of Grégory Morin’s Flush (2025) scored the Audience Award for Best In...

By “Spanish” I mean Spanish-speaking, of course, as The Wailing (2024) is a co-production from France, Argentina and Spain; Cielo (2025) ...

Dogs and cats kenneled at the 29th edition of the Fantasia International Film Festival (“Fantasia”).  Anadromatic and inversive at its core,...

As committed as the Fantasia International Film Festival (“Fantasia”), now in their 29th edition, has been in securing the premiering edge o...

Skillfully pitched between sentiment and action, Stuntman (2024) —the debut feature from Herbert Leung Koon-Shun and Albert Leung Koon-Yiu—...

What can be said of a person who—in the act of trying to conceal himself with a mask—reveals who he really is? I first tackled that conundr...

Sporting its Canadian premiere at the Fantasia International Film Festival (“Fantasia”) after a robust festival run that included premiering...