Saturday, January 18, 2025

REVIEW—ERNEST COLE: LOST AND FOUND (2024)

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Directed, written and produced by Raoul Peck (whose 2016 documentary I Am Not Your Negro impressed me) Ernest Cole: Lost and Found (which ...
Friday, January 17, 2025

THURSDAY THROWBACK: INLAND EMPIRE—The San Rafael Film Center Q&A With David Lynch (Friday, January 19, 2007)

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"Transcendental meditation speaks of inner preservation.   Transcendental meditation gives you peace of mind."—“ Jesus Children of...
Thursday, January 02, 2025

PORCELAIN WAR (2024)—REVIEW

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Porcelain War (2024) , the documentary film directed by Brendan Bellomo and Slava Leontyev that won this year’s Sundance Festival Grand J...
Monday, March 20, 2023

TREEFORT 11 / WINDOW WALK—The Evening Class Profile of Walter Gerald

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It’s the Window Walk on First Thursday that, for me, annually launches Treefort where muralists and downtown businesses combine forces to of...
Saturday, March 18, 2023

TREEFORT 11 (2023)—TEN BANDS TO SEE

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With 500+ musical acts scheduled for Treefort 11, the task of shaping an itinerary of what I’m hoping to catch at this year’s edition has be...
Friday, January 27, 2023

GUILLERMO DEL TORO’S PINOCCHIO (2022)—An Evening Class Question For Guillermo del Toro & Mark Gustafson

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As I approached the Christmas season this past December, I became curious about painterly representations of the Annunciation and discovered...
Thursday, January 19, 2023

THROWBACK THURSDAY—DAVID CROSBY: REMEMBER MY NAME (2019)—BOISE, IDAHO PREMIERE Q&A WITH A.J. AND MARCUS EATON

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With his first directorial feature David Crosby: Remember My Name (2019) emerging as a Sundance darling picked up by Sony Pictures for the...