The Evening Class

"Cinema is the evening class for discriminating adults."--Ousmane Sembene

Monday, April 23, 2007

2007 SFIFF50—Bamako Press Notes

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I deeply believe that life and hope go beyond the notion of justice. Recently, while waiting for a word-of-mouth screening of Vacancy to be...
Saturday, April 21, 2007

RAYMOND CARVER—So Much Water So Close To Home

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So much water so close to home, why did he have to go miles away to fish? A while back, David Lowery came up with a term that I love and se...

DEAD CHANNELS SLEAZY SUNDAYS—Riding Dennis Harvey's SF360 Coat Tails

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Dennis Harvey's masterful SF360 summation of this past month's Sleazy Sundays series and the pervading grindhouse mania that'...
Wednesday, April 18, 2007

MICHAEL HAWLEY'S SFIFF50 GAMEPLAN

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It's been two weeks since the SFIFF50 press conference, and it's taken me about that long to piece together a workable festival sche...
Monday, April 16, 2007

FRACTURE

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The cat-and-mouse scenario is skillfully reinterpreted in Fracture by the effective pairing of Anthony Hopkins as Ted Crawford—a structural...
Sunday, April 15, 2007

THE SELF-IMPOSED TYRANNY OF BLOGGING

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This is exactly how I feel lately about blogging.

YEAR OF THE DOG—The Letterman Digital Arts Center Q&A With Director Mike White

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Attending a word-of-mouth screening of Mike White 's directorial debut The Year of the Dog allowed me my first opportunity to experienc...
Saturday, April 14, 2007

LA DOUBLURE / THE VALET—The Evening Class Interview With Francis Veber

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Internationally acclaimed filmmaker Francis Veber has helmed more than 10 films, including 1998's hit The Dinner Game . Le Jouet , his d...

LA DOUBLURE / THE VALET—Dolby Lab Q&A With Director Francis Veber

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Promoting his most recent venture La Doublure ( The Valet ) , scheduled to open in the Bay Area later this month, Francis Veber appeared af...
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